The story catches my interest but there are a few things that jump out at me.
I offer you NEVER MIND, about a mutilated (This feels like too strong of a word. If she was mutilated, she would be in the ship's hospital, rather than sitting poolside) telepath who is reluctant to uncover her past in the wake of total retrograde amnesia.
A woman lounges on the pool deck of a Caribbean cruise liner holding a cocktail she doesn’t remember ordering. Good. Alone and disoriented, she must get her bearings. can't remember things like her cabin number, or even her name. With her factory-reset Does she know it's factory-reset? We're still in her POV so it seems off. phone, she snaps a selfie and is horrified to find her face slashed with scars. (Have the wounds have healed? Or are they still fresh cuts?) The alcohol in her hand is already making sense. How so? Does she think she drank so much she blacked out? When people black out from drinking, they still remember who they are the next morning.
Worse, (Maybe: Odder still,) the woman hears voices, thoughts, (choose one) straight out of the heads of her fellow sunbathers. Should she tell someone she has amnesia? That she’s a telepath? (Seems like a stretch that she'd want to tell people about her telepathy) Her gut tells her to act casual, not draw attention to herself, but wiith that face, it’s a tall order. She has the unshakable feeling she’s being watched, that she’s in danger.
She decides to uses telepathy, her wits, and stealth to piece together the past few days and the rest of her forgotten life this is contrary to her two choices at the end. If she pieces it together, she doesn't need someone to tell her who she is. Gleaning from every mind she meets, she begins to build a picture of her world. Supernaturals like her, they hide in plain sight. (This is what she discovers? Or this is the opinion of the writer/narrator?) They vacation in the Caribbean. In fact, one is onboard searching for her who plans to kill her. Forgetting herself was how she survived. Now she has an opportunity. She can run from her enemy, the only one who can unveil her tragic past and lead her home. Or she can face her enemy, learn the truth, and lose her life. I'm not convinced this is a tough choice. Run from the enemy and live, or face the enemy and die knowing who she is. Living seems like the clear choice here.
Hope some of the tweaks resonate with you. It's an interesting premise for sure.