Ms. Hillary Jacobson
Creative Artists Agency
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General
Hillary Jacobson
Creative Artists Agency
New York, NY
- E-Mail:
-
To protect agents from spam, email addresses are hidden except to members.
Join Now - Website:
- www.caa.com/entertainmenttalent/books/
- Blog/Other:
- www.publishersmarketplace.com/members/hillaryjacobson/
- AALA Member:
- No
Query Methods
Accepts queries via...
E-Mail
Genres
This agent is seeking the following genres:
Fiction
Commercial
Historical
Horror
Literary Fiction
Romance
• Romance, Comedy
Speculative
Thrillers/Suspense
Young Adult
Non-Fiction
Memoir
Narrative
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Known Clients (current & past)
Tomi Adeyemi
Patrice Caldwell
Lygia Day Penaflor
Cassandra Frances
Adalyn Grace
Katie Gutierrez
Mel Howard
Sabina Khan
Ellery Lloyd
Katy Rose Pool
Akshaya Raman
Kate Elizabeth Russell
Astrid Scholte
Sasha Peyton Smith
Emily Taylor
Author Comments
Comments by authors about this agent.
Aden27
10/29/2025 11:50 AM
@WritingMyHeartOut
About CAA's terms and conditions...
The reason CAA’s terms and conditions are so broad is that their focus is the entertainment industry first, not traditional literary representation. They’re constantly reviewing pitches, scripts, and treatments that overlap in theme or premise. You can’t copyright a concept—only the unique expression of it. While we all like to think our ideas are singular starbursts of brilliance, the truth is that if they’re marketable, they probably exist within a larger thematic constellation—and someone else’s expression of that idea may simply shine brighter. It doesn’t mean CAA has stolen your idea or intends to; it’s simply their way of legally codifying the reality that there’s “nothing new under the sun.”
If those terms feel uncomfortable, it’s better to query agencies that specialize in literary representation rather than entertainment IP development. And before submitting to CAA (or any major entertainment agency), it’s smart to register your work with the WGA for timestamp protection and with the U.S. Copyright Office for full legal ownership.
If you’re on a tight budget, you can mail yourself a sealed copy of your manuscript as a quick, date-stamped record—sometimes called a “poor man’s copyright.” Just know that it’s not legally enforceable on its own; think of it as an informal backup, not a substitute for official registration.
Note: I’m not a lawyer, nor do I play one on TV. But like you, I had concerns before submitting my manuscript to CAA—so I did my homework. And like most folks on QT, I’m a feral author, unsigned, sending queries into the black hole, hoping beyond hope that my little manuscript will be the one to twinkle brightest for an agent.
About CAA's terms and conditions...
The reason CAA’s terms and conditions are so broad is that their focus is the entertainment industry first, not traditional literary representation. They’re constantly reviewing pitches, scripts, and treatments that overlap in theme or premise. You can’t copyright a concept—only the unique expression of it. While we all like to think our ideas are singular starbursts of brilliance, the truth is that if they’re marketable, they probably exist within a larger thematic constellation—and someone else’s expression of that idea may simply shine brighter. It doesn’t mean CAA has stolen your idea or intends to; it’s simply their way of legally codifying the reality that there’s “nothing new under the sun.”
If those terms feel uncomfortable, it’s better to query agencies that specialize in literary representation rather than entertainment IP development. And before submitting to CAA (or any major entertainment agency), it’s smart to register your work with the WGA for timestamp protection and with the U.S. Copyright Office for full legal ownership.
If you’re on a tight budget, you can mail yourself a sealed copy of your manuscript as a quick, date-stamped record—sometimes called a “poor man’s copyright.” Just know that it’s not legally enforceable on its own; think of it as an informal backup, not a substitute for official registration.
Note: I’m not a lawyer, nor do I play one on TV. But like you, I had concerns before submitting my manuscript to CAA—so I did my homework. And like most folks on QT, I’m a feral author, unsigned, sending queries into the black hole, hoping beyond hope that my little manuscript will be the one to twinkle brightest for an agent.
PaolaT
10/28/2025 06:34 PM
Queried 9th October
88k conrom/romcom
Amazed she's apparently still reading queries while on mat leave
88k conrom/romcom
Amazed she's apparently still reading queries while on mat leave
historygirl
10/27/2025 01:38 PM
Query: 10/2
Full request after offer nudge: 10/21
Full rejection: 10/27
upmarket speculative, 93k
Full request after offer nudge: 10/21
Full rejection: 10/27
upmarket speculative, 93k
WritingMyHeartOut
10/25/2025 12:05 PM
I submitted, got rejected and didn't see this till after rejection (thankful for the rejection):
To summarize their terms and conditions, you agree to:
1. CAA doesn’t have to keep your ideas confidential.
2. They might already have (or later come up with) similar or identical ideas on their own.
3. If they use those similar ideas, you don’t get credit, payment, or any claim.
4. By submitting, you agree not to sue or demand anything over that.
Beware.
To summarize their terms and conditions, you agree to:
1. CAA doesn’t have to keep your ideas confidential.
2. They might already have (or later come up with) similar or identical ideas on their own.
3. If they use those similar ideas, you don’t get credit, payment, or any claim.
4. By submitting, you agree not to sue or demand anything over that.
Beware.
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Profile History
- Last Update:
- 04/10/2023 - Changed agencies. Formerly with ICM Partners
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Full request: 29/07/25
Nudged with offer: 25/10/25
Kind rejection: 27/10/25
Hillary confirmed receipt too, which I always appreciate!