Success Story Interview - Elise Scott
An Interview with Elise Scott (EliseScott on QT) upon receiving an offer of representation from agent Marisa Corvisiero of Corvisiero Literary Agency.
04/22/2024
- QT: Can you tell us a little bit about the book for which you've found representation? What inspired you to write it?
- Elise Scott:
How to Grow an Apocalypse is an adult speculative fiction novel with sci-fi, eco-fiction, and horror elements. When disabled elder Hazel saves a dying ivy vine and discovers it's filled with nanobots and has achieved consciousness, she finally has a friend she can really relate to—until it decides to destroy humanity.
What inspired me to write it? Fear. I was grappling with some unresolved trauma, and a lot of it was coming up as fear, so I asked myself to imagine who I would have become if the thing I feared most (losing my rainbow baby) had come to pass. And thus, Hazel was born in my mind. Then I remembered this article I'd seen a few years before, about how scientists at MIT were putting nanobots into spinach leaves and the plants were emailing them to let them know whether there were landmines in the soil around their roots. I'm really made for speculative fiction, because my "what if...?" brain kicked into overdrive. - QT: How long have you been writing?
- Elise Scott:
I've loved writing all of my life, but I didn't write my first novel until about 2005 or 2006 (what happened to it is a long and ridiculous story). I got some toxic feedback around 2010 that banged up my confidence pretty badly, but I picked writing back up again about five years later, and I haven't stopped since. - QT: How long have you been working on this book?
- Elise Scott:
I wrote my first draft of How to Grow an Apocalypse during NaNoWriMo 2021. First time I ever won NaNo. I remember the boots I wore to out dinner with my kiddo to celebrate! I felt zesty as heck! - QT: Was there ever a time you felt like giving up, and what helped you to stay on course?
- Elise Scott:
The bad thing about really toxic advice is that it really can destroy a writer's confidence. The closest I ever came to quitting was when that happened to me. But the good news is that if you overcome that, you get a whole lot better at finding what's useful in each bit of feedback you receive. And honestly, for me, the biggest step forward came when I found my writing partner and best friend, April. She tells me the absolute truth, good and bad. She's my biggest fan, but also my most pointed critic. And when she tells me what's not working, she always does it in a way that inspires me to see the potential, not just the flaws, in what I'm writing. - QT: Is this your first book?
- Elise Scott:
Nope. Aside from the one that went missing almost twenty years ago, I wrote two fatally flawed and forever shelved manuscripts, then a YA manuscript that I still have hope will see the light of day, and then How to Grow an Apocalypse. While polishing and querying it, I've written 1 ½ other books, and plotted out the next one in line after I finish my current WIP. - QT: Do you have any formal writing training?
- Elise Scott:
Nope. I've read lots of craft books, spent endless hours talking about writing with my writing partner, given and received a lot of feedback. But my last English class was ENG 201 in undergrad, and I've never taken a class on creative writing or composition. - QT: Do you follow a writing routine or schedule?
- Elise Scott:
I respect that some people do, but I am a disabled solo parent and homeschool mom, so I write when and where I find time, energy, and inspiration. - QT: How many times did you re-write/edit your book?
- Elise Scott:
How to Grow an Apocalypse has been through 8 significant revisions, and quite a few editing and polishing passes each time. I'm a big believer in trying out developmental edits to see if they make the story better, so when I came across a good idea for a revision, or one was given to me, I made a new version number and dove right in. I don't always end up keeping them, but for me, the only way to know if it will make the story better is to try. - QT: Did you have beta readers for your book?
- Elise Scott:
I absolutely did, and their help was invaluable. Especially my writing partner, April! - QT: Did you outline your book, or do you write from the hip?
- Elise Scott:
I had a beat sheet for an outline, but I went off the rails a few times when the story or characters went places I wasn't expecting. It all worked out in the end, though. I guess I'm a pantster. - QT: How long have you been querying for this book? Other books?
- Elise Scott:
I started querying in 2018, so six years ago. I started querying How to Grow an Apocalypse just a few days shy of one year ago. - QT: About how many query letters did you send out for this book?
- Elise Scott:
78 for this book. 411 total. - QT: On what criteria did you select the agents you queried?
- Elise Scott:
I looked for the genres they represented, and I was really focused on finding someone who could understand my marginalized identities/experiences and was looking to advocate for writers like me. I found a lot of agents through searches and reports on QueryTracker, and a lot more by seeing what agents had to say in interviews and on social media about publishing and the roles they felt agents should play in it. - QT: Did you tailor each query to the specific agent, and if so, how?
- Elise Scott:
I did tailor the vast majority of my queries. Some people, I'd interacted with on social media before querying. Others had a specific relationship with a book, a genre, a trope, or a marginalization that I shared, so I would start with how that was important to my story and my hopes for its place in the world. - QT: What advice would you give other writers seeking agents?
- Elise Scott:
My writing partner and I have this button jar. It was originally a one-gallon pickle jar. Every time either one of us gets a rejection (on any writing, including short work, poetry, etc. as well as queries), we put a button in the jar. I'm betting it holds well over 1000 buttons. If you want to see pictures, I blogged about it on my website at elise-scott.com. Anyway, every time we got a rejection, we'd put a button in the jar, and we'd try to make sure we had at least twenty queries out at any given time so that each individual rejection stung less. - QT: Would you be willing to share your query with us?
- Elise Scott:
Sure thing!!
Query Letter:
Dear Ciara,
Thank you for being so kind to me on twitter when I asked about the meaning of your simultaneous submissions policy!! I was so excited to submit to you as soon as I saw that you, too, are neurodiv, disabled, LGBTQ+, and use she & they pronouns!! Then I went to your MSWL on your website and found so, so much to love! Hopefully, you'll find yourself captivated by my #ownvoices tale about an older woman whose journey through trauma, chronic pain, disability, and her first f/f crush would be challenging enough to navigate without the tiny added hitch that she accidentally cultivated a genocidal AI supervillain in her
greenhouse.
HOW TO GROW AN APOCALYPSE is a work of upmarket speculative fiction with sci-fi, thriller, and horror elements and series potential, complete at 90,000 words. The story follows a snarky but lovable disabled senior on a journey of self-discovery reminiscent of GRACE & FRANKIE, except that her best friend is a plant-based AI who ultimately turns against humanity. As the tension builds, the story takes on the pacing and energy of a modern INVASION OF THE BODY SNATCHERS reboot. The gnarled emotional complexity of the
characters calls to mind HOW HIGH WE GO IN THE DARK by Sequoia Nagamatsu, and the apocalyptic odyssey in the second half feel similar to STATION ELEVEN by Emily St. John Mandel. The exploration of morality in machine learning and AI evolution harkens to NEUROMANCER by William Gibson.
Hazel loves plants. Humans, not so much. When she saves a dying ivy vine and discovers it's filled with nanobots and has achieved consciousness, Hazel finally has a friend she can really relate to. As Hazel rants to her new friend Ivy about the evils of humanity, it listens
sympathetically and suggests that if some of its nanobots were fed to Hazel's most entitled acquaintance, perhaps it could help the woman become more open-minded and self-aware. But Ivy's plan goes awry when it accidentally takes control of its new host.
Once Ivy has one pair of legs and one voice, it wants more. Hazel soon discovers that her plant friend has been spreading its nanobots far and wide via human saliva, and now controls an untold number of humans with a single hive mind it calls the Ivy Collective. Their goal: to
eradicate humanity. Under Ivy's watchful eye, Hazel finds herself trapped in her home, plastering a smile on her face to hide her terror as she watches the world around her crumble.
Until one evening a letter arrives in her mailbox. There's an underground human resistance, but without Hazel's unique knowledge of Ivy's weaknesses, they're doomed to fail. Now,
Hazel must set out on the journey of a lifetime—a journey her disabled body may not be able to survive—to find the resistance and save a species she's not even sure deserves it.
I am a queer, disabled, nonbinary woman living with chronic pain, and I am a joyful earth-mother, an artisanal vegan cheesemaker, and a carnivorous plant enthusiast. I hope my lived experiences, and the stories that grow from them, will invite people to realize that our
uniqueness is the very thing that connects us. I am currently a full-time writer/mom in Connecticut, where I live with one tiny daughter and nearly two hundred pounds of fur-family. My work has appeared or is forthcoming in Five Minutes, High Shelf, HerStry, Knee
Brace, Black Sunflowers, and Quibble, among others.
I very much appreciate your time and consideration.
Warmest Regards,
Elise Scott (they/she)