Success Story Interview - Lindsay Allison

An Interview with Lindsay Allison (lindsayallison on QT) upon receiving an offer of representation from agent Natalie Sun of HG Literary.

03/05/2026

QT: Can you tell us a little bit about the book for which you've found representation? What inspired you to write it?
Lindsay Allison:
My book is an adult contemporary romcom about an amateur violist who must overcome her vomit-inducing stage fright with the help of a grumpy music teacher when she agrees to play a concert solo as a favor to her childhood crush, the orchestra's conductor.

I was inspired by my real-life community orchestra experience and as a violist myself for the last 26 years.
QT: How long have you been writing?
Lindsay Allison:
I have always loved writing and blogging, and my undergraduate degree is in journalism. But I have been writing fiction since August 2024.
QT: How long have you been working on this book?
Lindsay Allison:
I started my first draft in August 2024. I did several drafts, rounds of beta readers, and two major rewrites, including one in the summer of 2025 right before I started querying.
QT: Was there ever a time you felt like giving up, and what helped you to stay on course?
Lindsay Allison:
The joke in my writing group is to GIVE UP because several of us ended up with major querying breakthroughs after we resigned ourselves to shelving the project.

For me, I knew my book was the best possible thing I was capable of at the time of its completion. I knew in my heart I couldn't go any further without professional help and that if it could only find the right person, they would read it and love it. But after more than 100 rejections, I had accepted maybe this book was just supposed to teach me how to write, and the next book might get me an agent. I decided to send another batch of queries to anyone opening in early 2026, but then I would move on to write the next thing. And that's when Natalie pulled it out of the slush pile!
QT: Is this your first book?
Lindsay Allison:
Yes
QT: Do you have any formal writing training?
Lindsay Allison:
I majored in magazine journalism and have taken a few fiction writing courses over the last year with agent CeCe Lyra.
QT: Do you follow a writing routine or schedule?
Lindsay Allison:
When I am drafting and editing, I try to squeeze in writing whenever I can -- during lunch breaks from my day job and after my kids go to sleep. I wrote most of this book from 8 - 11 PM or occasionally for a few hours on the weekends while my kids watched a movie.
QT: How many times did you re-write/edit your book?
Lindsay Allison:
My document titles say I did 5 drafts, but I've lost track!
QT: Did you have beta readers for your book?
Lindsay Allison:
Yes, arguably way more than anyone would probably recommend, but it worked for me. I love critical feedback. I did 3 rounds with more than 10 readers for each round, though some readers read for more than one round.
QT: Did you outline your book, or do you write from the hip?
Lindsay Allison:
I had a very loose outline to start, and probably my biggest outline happened after my second draft (really my first real draft) when I reverse outlined everything. Then when I did my final big rewrite for draft 5, I did another outline mapped to Romancing the Beat and Save the Cat.
QT: How long have you been querying for this book? Other books?
Lindsay Allison:
I queried this book almost exactly 6 months.
QT: About how many query letters did you send out for this book?
Lindsay Allison:
I sent roughly 200 queries.
QT: On what criteria did you select the agents you queried?
Lindsay Allison:
If they took romance, I probably queried them, though I tried not to query those with MSWLs that didn't feel like a good fit (i.e. they wanted LGBT stories, high-angst or high heat romance, since mine is straight, closed-door, and cozy).
QT: Did you tailor each query to the specific agent, and if so, how?
Lindsay Allison:
I tailored some but not all. I ended up with 2 offers -- one query letter had been personalized and the other had not been.
QT: What advice would you give other writers seeking agents?
Lindsay Allison:
I don't know that I would recommend this as a strategy for everyone, but I will say this is what I did, and it worked for me. I approached querying more as a numbers game with a scattershot approach. I knew my book did not have a huge hook (it's quieter with more emotional stakes), but if the right person (someone who liked music, perhaps) found it, they would like it. Both my offering agents had a personal connection to music programs at the collegiate level, but I had no way of knowing that before I queried them -- it was not listed anywhere publicly. My book found the right people at the right time.

Cathie Hedrick-Armstrong shared on a TikTok live to not stop querying until you'd sent 150 queries, so that was my goal. I also tried to query agents as soon as they opened when possible. Most of my full requests came from newly re-opened or just new agents.

I would also say don't compare your stats to someone else's. I ended up with 10 full requests, but 6 of those did not come until after my offer came. It only takes one yes!

Query Letter:

HANNAH MCCOY TAKES A STAND is a 92k-word contemporary romance about an amateur violist who must overcome her vomit-inducing stage fright with the help of a grumpy music teacher when she agrees to play a concert solo as a favor to her childhood crush, the orchestra's conductor. It combines the earnest-educator energy of Abbott Elementary with the adult coming-of-self found in books like Hello Stranger by Katherine Center and It's a Love Story by Annabel Monaghan.

Twenty-eight-year-old violist Hannah McCoy will stand up for anyone except herself. She always goes the extra mile for her college students at work, and she'll do anything for her childhood best friend, Todd, despite his humiliating rejection of her ten years ago. So when the first-chair violist in Todd's community orchestra drops out before the fall concert, Hannah agrees to step in to help, undeterred by her performance anxiety.

Okay, honestly, she's pretty deterred and freaking out a little, especially since Todd's work rival, Josh, the orchestra's handsome concertmaster with a bow stuck up his ass, won't stop critiquing her in rehearsals. But when Josh suggests Hannah overcome her stage fright with a series of exposure-therapy recitals (and it works!), she realizes he's actually a good teacher under his curmudgeonly exterior. Poco a poco, Josh and Hannah's friendship begins to blossom off-stage, underscored by their shared love of music and education.

Unfortunately, their newfound rapport sparks a crescendo of tension between Josh and Todd as they jockey for Hannah's attention and artistic control of the orchestra. When the men's rivalry reaches its finale at a wedding the weekend before the concert, untold truth comes to light, forcing Hannah to confront the lies she's believed about her self-worth. Amidst the fallout, Hannah must summon the courage to play her solo and choose: lose a friend, lose the man she loves, or finally take a stand for the life she's always wanted.

I started playing viola in 1999 and joined a community orchestra last summer after seven years of "retirement." I have a bachelor's degree in journalism as well as a master's degree in higher education administration. Outside my day job as an academic advisor, I spend my free time refereeing wrestling matches among my three little boys while my husband stands by with a first aid kit.

Sincerely,

Lindsay Allison